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- Sales Rank: #979064 in Books
- Published on: 1904-07-03
- Binding: Hardcover
Most helpful customer reviews
8 of 8 people found the following review helpful.
Great Graphic Novel
By C. Cutter
This is a good compendium of a really good comic. It is a story of Vladek Spiegelman, a Jew, who is being interviewed by his son Art about his time just before WWII and his imprisonment in Auschwitz-Birkenau. This comic is so very well written, that certain times when I was reading it I felt that Vladek was my grandpa telling me his story in person. You really get to know both main characters on a personal level which just connects the story to your heart even more and draws you in to continue reading. Trust me, get the complete Maus, cause you will start reading and never stop.
9 of 10 people found the following review helpful.
Fantastic!
By The Flashlight Reader
This was different from what I expected. I wasn't sure what I would be reading when I started this book. I knew Maus was a Holocaust story, but I didn't know what type of story it would be. Calling it a "contemporary classic of immeasurable significance" is an understatement. I think powerful is a better adjective. Heartbreaking. Captivating..... those would work too.
The people in the book were depicted as various types of animals which I was both disturbed by and thankful for. I found it very interesting that the author chose to depict his "characters" as animals. The dehumanization aspect was not lost on me-- afterall, isn't that what Hitler and the Nazis did to the Jews?
Given the subject matter, I'm not sure how I would have taken to this book if it had the detail that most graphic novels are known for. The drawings lacked facial expression and some detail, but the point was still made. I still cried when a baby mouse's head was smashed against it because I knew what the mouse represented.
One thing that I did find bothersome was the constant switching between the present and past. I could see it being confusing for some people. However, I thought it was important to show how the past events shaped the father into the person that he became as a survivor. It wasn't choppy per se, but some type of textual feature to indicate that the present was occuring would have been better I think.
Overall, given that this is such hard content to work with, I think the author did a nice job of sharing his father's horrifying experience in a tasteful way that might make learning about the Holocaust more accessible to future generations. The story was focused on one family's tale, yet it managed to tell about an entire nation. It saddens me to think how little people know about this dark time in history. We are so quick to glance over it or pretend it didn't happen exactly the way history books tell us. But I have met a survivor. I have read her story; and I won't forget.
5 of 5 people found the following review helpful.
Spiegelman's Masterpiece
By alexacaesco
Spiegelman's Masterpiece
Holocaust is the type of word nobody wants neither to pronounce nor remember. However, Art Spiegelman, an American cartoonist and son of a polish-Jewish Holocaust survivor, seems to remind us through his masterpiece comic book, Maus, that the Holocaust is one of the events humankind will never forget. Maus, winner of the Pulitzer Prize, is not a simple book. It can be classified as a mixed of genres book as it is a narrative book, history book, comic novel, but also a memoir and autobiography, all condensed in two main parts. Part I, My Father Bleeds History, which is dived into 6 chapters, and Part II, And Here My Troubles Began, divided into 5, are carefully and intentionally well-structured. This is how, all sections fit together, even though there is a movement back and forth between the father-son relationship and the father's (Vladeck's) recall of his experience as a Jew in the Holocaust. This constant and unexpected switch fascinates and interests the reader with both the plot and author's method to communicate his message, which is his unique animal-drawing style.
With Nazis portrayed as cats, Poles as pigs, Americans as dogs, British as fish, Swedes as deer, French as frogs, and Jews as mice, Spiegelman depicts humans as animals to emphasize the relevance that the difference in race and nationality seemed to have back in Hitler's time. He certainly knows what he is doing and why he is doing it. As a result, the reader is allowed to connect the dots by simply relating the cat-mice dichotomy relationship with the Nazi-Jew one, and also the cat-dog, Nazi-Americans, cat-fish, Nazi-British, and other relationships. This animal imagery and metaphor usage, gives the reader a better and easier understanding of what to expect to happen with each animal's actions, and also stresses the relationship with the characters rather than on each character itself. But most importantly, representing Jews as mice reinforces the false claims in the two quotes Spiegelman cites in the beginning of each of the two parts of his comic strip. Jews were seen as the greatest vermin and bacteria carrier in mankind, and, therefore, ought to be executed (Spiegelman 164).
As a consequence, the tone of the theme and plot is a sarcastic, horrifying, and dark one. Throughout the entire comic novel, the black and white color persists. No other colors are to be seen. This deathly and obscure setting makes the reader's mind imagine the death camps, feel the tension and fear that Jews must have experienced. The presence of the clear swastika symbol reminds readers that the narrative is based on true facts about the Holocaust. Vladeck's recall of his experience and survival in the first-person gives reliability and legitimacy of Spiegelman's work. Art's story is the voice of many children of survivors' stories. Therefore, it is not an isolated experience but a relevant and applicable story that is reachable and accessible for all type of audience such as teenagers, adults and even Old Age Pensioners.
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